There's something odd about Today's New Band, Play People, that has proven difficult to quite pin down. They sound so surprisingly polished and confident for a virtually unknown band that I wondered initially if I'd missed a class in the Rock 'n' Pop 101 course that I took all those years ago, and they had just passed me by.

Their songs shine and glisten. Oh What A Life is weary and reflective, yet chimes and rings lushly throughout. Just Don't is punctuated with a Morse-code stab, and is a perfect example of how a good chord change can loosen the most knotted muscles in your neck as your brain is distracted by the sheer luxury of sound.

Something about Play People's songs remind me of The Boo Radleys' less frantic moments, which is high praise, I suppose. Delicate, coy and lovely, their songs are packed with naive charm. They're a bit like a quick glimpse inside a shy teenage boy's head, except without being bombarded with thousands of guiltily memorised images of Page 3 Lovely "Keeley, 22, from Bromley".

Even without her considerable charms (note to self - must stop using dreadful Sun-style puns right away) to tempt you, Play People are an understated example of lovely songcraft - as un-rock 'n' roll as that sounds - and as such should be heard by more people, so check out their tunes here!

P.S. - Happy 18th Birthday to ANBAD's now not-so-little sister Phoebe!

Labels: chiming, chord change SKILLZ, Jaunty

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I sometimes feel sorry for bands. Not that sorry, what with all the booze, girls and urinating up against the Alamo that they manage to find time to do, but a bit sorry all the same. It must be tough to keep touring material that you love, only to find that either a) it doesn't fit in with the majority's taste; or b) they come under pressure to make it more in fitting with the mainstream. Some bands then choose the "We-do-what-we-do-and-if-anyone-else-likes-it-that's-a-bonus" route and plough on regardless, whilst others let their record company lead them around like little piggies.

Other bands find themselves in that happy spot which pleases both camps. I think today's new band, Stars And Sons, might have accidentally achieved that difficult blend of individuality and appealability, and their songs bristle with excitement as a result.

Fights Already Fought is a strangely subdued song that also manages to be uptempo at the same time. It rattles and shakes softly, as if waiting to be released for a big reprise that never arrives. It's lovely, and dissolves into a quick, quasi-Spiritualized fuzz at the end. In The Ocean is almost its exact opposite, a fun romp that bounds forwards with all the enthusiasm and wonder of a new puppy. A pop-rock puppy that plays the piano, but a puppy nonetheless.

The feeling is with Stars and Sons is one of trying to break away from the norm, whilst still holding with one hand onto their base sound. Calling it 'quirky power pop' is just too obvious, but songs like Out of View could be made to sound incredibly mundane very easily by other bands, and yet Stars and Sons keep yanking it over into the leftfield a little bit, keeping everyone on their toes and happy. Good work, Stars and Sons. Listen to them here!

Labels: chiming, jangle, tinkling

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Yesterday's yummy, super-twee (but not in an awful 'Tweecore' way) band, The Bumblebees, got me thinking. Actually, they got me a-hankerin' for some more jangly indie. This hankering intensified when I accidentally subjected myself to a video of the Ting Tings' awful song Shut Up and Let Me Go this morning. Its ultra-hip, consciously-ironic, sunglasses-indoor idiocy made me feel all hopeless. Where's the fun, or the the sense of reality in their super-slick, focus-group-defined sound?

So Today's New Band was always going to sound like their music was a) heartfelt, but not sincere; b) enjoyable, but nicely throwaway; and c) both happy and sad. So, say a big 'hello' to The Shot Heard Around the World, a band who fulfil those criteria and are as far removed from plastic generic stupidity as possible. They sound like people playing music for the fun of it. LOL!!!, as 'the kids' would say. They're also the second band from Brooklyn to feature on here in a week. Perhaps the A.N.B.A.D. staff are fishing for invites over there or something.

Make of that what you will, but one thing you will definitely recognise is a good indie tune when its tinny-guitar-twinkling winds its way into your brain, and the marvellous is, and does, just that. Rough, ready and engaging, its a song full of harmonies and a sprinking of the pleasantly inevitable glockenspiel that makes you feel happy to be alive. Evening Prayer is homely, warm and sorry - "I treated you less than right, girl that's true/But everything will turn out right... Nothing ever turns out right," lamenting and apologising.

Thinking about it, all of the bands this week so far have been very... human. Celebrate a theme as broad as humanity and listen to The Shot Heard Around the World's songs here!

Labels: chiming, folk you, slightly mournful

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When it was announced, I thought The Verve headlining Glastonbury Festival was a bit of a weak move - The Verve have been split and silent for years now; Richard Ashcroft's solo output has been the sub-MOR equivalent of dipping your head into a stagnant duck-pond; surely they're doing one more comeback for tax reasons, etc.

Watching their headline set on TV, I realised that, fortunately, I was super-wrong. Instead of the expected clunky phoning-in of their 90's hits, they were all the things they used to be, and more. Epic songs about love and loss from a band that has so much confidence in itself that they finished off not with their most famous song, but a brand new single, which - guess what - is ace. I was thrilled and a bit ashamed to have been so cynical.

It also struck me that what made them so great was simply that, while in the 90's they were, on the surface, just another rock band wearing cagoules, that exact quality was now what set them so far apart from their current peers. To differentiate yourself from the skinny jeans 'n' ties hoard is to be automatically ahead of the pack. So, Today's New Band are Saboteur. They don't sound like The Verve, but they do sound different to the Haircut-Indie bands. Their starting point and ethos isn't the usual Joy Division/Strokes/Boomtown Freaking Rats yadda-yadda. Oh and they're German, further compounding that niggling feeling I've been getting that German music is really good at the moment.

Song Love Spreader, whilst sounding slightly obscene, is a chiming treat, devoid of posing, archness or cynicism. It pulses with the simple delight of being in a band and making music. A Cabbage White is the same. Saboteur remind me a little bit of forgotten 80's band The Chills, who possibly because they were from New Zealand and thus were Not Cool, didn't become as big as they deserved. So listen and enjoy Saboteur right now, while you can.

Labels: 90's, chiming, German

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