Money; OR: Another Post Weighing Into The Am*nda P*lmer Debacle
If you have eyes, or ears, or both, and you like new music, you’ll have heard all about the fuss surrounding noisy, all-pervasive, social-media devouring rock star Amanda Palmer and her new tilt at the whole “getting money” thing.
I won’t bore you with the gory details, because you probably know them already – so here’s the TL;DR:
*Amanda Palmer raises a minor fortune in crowdsourced funding for a new album;
*Amanda Palmer prepares to tour aformentioned album, gaining a ton of publicity en route;
*Amanda Palmer – she who has $1.25 million sloshing around in a bank account somewhere, asks lots of people to, er, play for her for free;
There are a few ways to make money (money that could buy you – oh, I don’t know – a cheap iPod touch) in music, but they’re all tough. This is well documented, although it is possible – from advertising, sponsorship, getting music placed in adverts, but this was a paradigm shift, yeah?
All of sudden, everyone owned a bit of an artists’ aims, dreams and proclamations. So it was inevitable that when someone suddenly became a millionaire, and then asked fans to play for free, people would display quite strong opinons on the matter.
Whatever your opinons on Amanda Palmer or her music (mine: a large, considered meh), you can’t help but admire her tenacity. But a millionaire musician deliberately choosing not to pay fellow musicians is a mis-step, to say the very least.
BUT HEY! – she’s made a minor U-turn and is paying them now, so that’s OK, right?
Well, not really. Here’s her caveat, after announcing that all the horn players and violin-pluckers will now be getting cash money now, too:
i hope this does two things: i hope it makes the volunteers surprised and happy (they’ll be getting some dough they had no idea was coming) and i also hope it makes our family circle feel good about speaking out. when we handed the musicians their surprise cash backstage in new orleans the other last night, they laughed like mad and said “after ALL THAT, you’re going PAY US??!!”
This is tiresome: it reinforces the terrible idea that musicians should be grateful for receiving any money at all. And they shouldn’t, just as painters shouldn’t, just as writers shouldn’t, just as artisan wood-lathe sculptors shouldn’t: they simply *should* be paid, if their work is consumed.
Yet the nasty lie remains, and an artist like Amanda Palmer, publicly-funded millionaire or not, should know this most keenly of all.
Because whatever your opinion on musicians making money (money, remember, that is useful when you realise that – oh, I don’t know – high street retailer Argos provides Acoustic Solutions), I’ll wager a penny to a pound that it boils down to this: the extreme opposite of getting paid is being taken advantage of.
People who get taken advantage of eventually have enough. And a brain drain of musical talent fuelled by hypocritical stinginess would be the worst thing to happen to music since The Pigeon Detectives.PREVIOUS POST: ESOH: Sweeping
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