The Parish of Little Clifton: Punctuation Infatuation

Now that’s a mouthful of a band-name, eh, pop-pickers? I mean, there’s nothing wrong with The Parish of Little Clifton as your moniker of choice, but it sure isn’t The Ramones, is it?

Petty grievances abound on ANBAD about band names – and they should be largely ignored, of course – although I can’t help thinking that one day, someone is going to attend a The Parish of Little Clifton live performance in the mistaken belief that they’ll be  taking part in a small village’s council meeting.

In many ways, I hope this does happen, as it’ll expose a wholly confused person to some entirely clear, precise music that ought to cut through their mental fug like an industrial laser-beam.

 

Or maybe it wouldn’t: while the crafting of songs like It’s Okay, Roseanne is diamond-cut in execution, the samples used to convey the sound are a pleasantly confusing mis-mash of vocal snippets, obtuse noises and grabbed sound snatches.

Such an approach – voices punctuating the song until they become instruments, with actual instrument sounds relegated to mere framework – leaves us with a thumpingly jolly song which defies the odds and becomes, unexpectedly, a brilliant party tune. Great.

MORE: theparishoflittleclifton.bandcamp.com

One thought on “The Parish of Little Clifton: Punctuation Infatuation

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