If you listen to a lot of music on the internet, I’m willing to gamble that the following question has crossed your mind too. Why are there so many post-rock bands? Answer: because making post-rock looks like an easy task.
Having dispensed with traditional song structure; you can just plug in and improvise, or so it seems. The less you think about what you’re doing, the more the beauty of the sounds flow through onto tape, right?
This is a fallacy, and is also why there are so many drab, tedious post-rock bands all peddling the same glum, unfocused, unwanted wares all over the internet. There is a very fine line between making lovely, semi-conscious noise-fuzz and a knuckle-chewingly lazy drone. You’ll be pleased to hear that Today’s New Band, Finneyerkes, are proponents of the former rather than the latter.
Finneyerkes make strung-out, light-as-air, soundscape-rock. If their actions matched their music, they’d stay in bed all day and dream about perfectly flat, brilliant white, snow-covered landscapes where nothing interrupts the horizon line.
Their songs lilt and lap like a stuporous sea; build up then release. Hear The Listener, its minimal reverberations overlapping and forming a larger image, like a dropped pile of so many photographs. Arshile falls from a mass of radio fuzz and, strangely but beautifully, threatens to become a huge, trancey keyboard-riff. Weird, yes: you’ll have to listen to hear what I mean.
Don’t be tricked into thinking that Finneyerkes make this music easily; it will have taken all the time, patience and frustration that is always required to make songs that sound this lovely. Their music is a genuinely soothing, sweet experience. Great. Listen here!