>It says much for the depths of resolve in the human psyche that, even when presented with an entirely stressful situation – like, say, moving house – it’s approached with delightfully optimistic naivety. “Surely this time, it’ll all be one, smooth, graceful procedure,” you muse, gingerly lifting the first of many boxes.
So, by the end of the process, how did I end up exhausted, aching, soaked through with rain, and sitting in a strange pub with a shellshocked look on my face? Having blanked out the preceding 48 traumatic hours, even I can’t answer that question. Sat in the pub, finally facing the light at the end of the tunnel, the Pub Jukebox God found time to play one final sick joke.
As the white stress-noise in my ears abated, it was gradually replaced by one that actually made my laugh at the sheer cruelty of it all. That noise was Katie Melua‘s cover of What A Wonderful World, a version so will-sappingly horrible that all who hear it must surely respond with the question, “But is it really?”
Today’s New Band actually is wonderful, and charming, and gutsy to boot. They’re Liechtenstein, and are probably already more exciting than their namesake country.
While Roses In The Park owes a little to Jesus and Mary Chain, it’s no generic copy – instead it uses the sparseness of the production to hoist the very lovable vocals high and to the fore. As a result, a throwaway chorus becomes a fine, sweet harmony to sit alongside the guitar’s rumbling chime. Apathy summons up enough interest to craft a gentle, lilting song; tranquilised, calm and detached. Stalking Skills sashays with the slink and guile that only women really posses.
Liechtenstein are strangely timeless, winningly female, pleasingly self-believing and have the coolly disconnected nature you’d hope for in a bunch of talented, attractive women. Great – listen here!