>I said that Yesterday’s New Band, Liechtenstein (see below), ‘owes a little to Jesus and Mary Chain‘; this wasn’t a criticism, but I suppose it could be interpreted as such. A large proportion of bands are eager to distance themselves, sonically, from the past, as if this in itself is innovation. It isn’t – and it often results in bands that might well tick the ‘new’ box, but is a million miles from the one marked ‘fun’.
Grabbing a bunch of sounds or attitudes or ideas from the past isn’t to be frowned upon. It makes sense if you want to have a good time, all the time. Today’s New Band, Leroy McQueen & The Gussets has a great name and a sound you’ll know and feel happy slipping into, like an old pair of slippers.
Leroy McQueen & The Gussets make a land grab for the grimy, punchy fuzz-blizzard of The MC5 and Johnny Thunders and the Heartbreakers, and then proceeds to wring as much enjoyment out of the straight-into-the vein excitement as possible. Boomtown City is so heavy with crunchy sound that it may collapse in on itself and form a rock ‘n’ roll black hole.
It’s not ‘new’ – even Shakespeare wrote lyrics about wanting to go out and party all night – but it doesn’t need to be. It’s a big, friendly slap in the face from a leather-coated, tobacco-and-booze-smelling hand, and I’ll find it hard to believe if you don’t want to go out all night long after listening to it. RAWK! Listen here!