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>Today’s New Band – Everything Everything

15 May 2009 One Comment Written by Joe Sparrow

>Last night, I saw Pete And The Pirates* at Moho Live in Manchester. Since I first saw them two years ago, and then again six months ago, they’ve steadily got better – more charming, more interesting, more likely to become the huge success they deserve to be. If their fabulous new songs are anything to go by, their next album will be a corker.

We took a decidedly old-school approach to the gig – blagging our way in for free (“But the band promised we’d be on the guest list”), and smuggling in a hip flask o’ booze for surreptitious topping-up of cola. As we persuasively nudged our way to the front of the crowd (sharp elbows), the difference between a support band and the headliners became a little clearer than before.

Where the support band that we saw (I forget their name, but imagine a swing and a miss at Stone Roses-style Über-confidence and you’re there) tried to fill every moment with noise, P&TP had the confidence to allow ebb and flow, quiet and loud. It lulls the audience in as opposed to battering them with a wall of fudgy noise.

Today’s New Band also have this skill – and it is a skill – so be thankful for Mancunians Everything Everything, whose songs are cute, sharp and unusual.

Suffragette Suffragette is a clicking, polyrhythmic example of their finely-honed approach to songwriting. It weaves and bobs, dashing from choral, harmonising vocal over-indulgence to pared-down calm – which serve to push their superb weirdness to the fore.

Single Photoshop Handsome grabs a wild chorus by the ears and rides it hopefully, wrestling it to fit into their idiosyncratically off-the-wall framework. It yelps, shouts and chirps – but not for the sake of it – and then slips confidently into a huge, pounding, synth finale.

Everything Everything are now getting the radio play they’ve deserved for a while, and this is purely because they’re punchy, innovative and crafty. Lovely. Listen here.

*My amigo Martin said that they sounded like the Strokes had collaborated with 90′s pop-nobodies Eternal, which wins my vote for most ludicrous description of any band, ever.

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