>As if further proof were needed that life is full of weird coincidences, just a couple of days after musing on The Only Ones and their reunion gigs, a friend mentioned that he’d gone to see them on Saturday night. And the verdict is: The Only Ones still sound great, but singer Peter Perrett’s voice was shot. He then went on to make several unsubstantiated substance-abuse allegations, which I probably shouldn’t recount.
In fairness, perhaps he had a sore throat, or the mic was at the wrong level, or any number of reasons could account for his croaky voice. But it didn’t matter – the band played the hits, and the fans danced and went home happy. So any lingering cynicism I had about band reunions vapourised. Except then I remembered that Kula Shaker reformed a few years ago, and are troubling venues all over the world again.
This kind of assault on common decency must not stand. Kula Shaker are the second worst band of all time. To banish the resurfaced memory of the woeful quasi-mystic rock nonsense of Tattva and Govinda, here’s Today’s New Band, Julien Fargo, who don’t sing songs in Sanskrit and don’t make ill-informed statements about swastikas. What they actually do is make really good music, which is enough.
L’Homme 100 tetes - which as far as my schoolboy French is aware, means ‘The Man With 100 Heads’ – is just fabulous, a twinkling swoosh through multi-coloured starfields. Wait – sorry about that. I think Kula Shaker’s faux-psychedelia must have leeched into my brain. But it is a beautiful, simple song, built on simple repetition and echoes of sounds, and ends up as a dreamy, woozy soundtrack to whatever you are doing as you listen to it.
Le Jardin de Roses clambers up and up using a genuinely lovely, plinky-ponk melody to find its way to wherever it might end up. Carefree, lively and with just enough world-weariness to make it lovable, it’ll immediately ping an image into your mind. The one that popped into my head was the view from a bar stool in Parisian cafe. I don’t know why. But it was a nice moment.
In these two songs, Julien Fargo – the man, the band – has made two little glimpses of something that’s annoyingly intangible, but special. And so much better than retreading your musical past. Listen to them here!